The copper bells of the neighborhood temple chimed at dawn, a sound that always signaled the start of Ananya’s day in Jaipur. Before the sun had fully climbed over the pink sandstone walls of the city, she was already in the courtyard, her fingers moving with practiced grace to draw a kolam. Using white rice flour, she traced geometric patterns on the ground—a silent prayer for prosperity and a welcome to any guest who might wander by.
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