Behind The Scenes 16- Moona- Laura Fiorentino-... — _hot_
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“I told my producer: ‘No. Moona is too perfect. Her lines are too clean. I need cracks,’” Fiorentino confesses over cold espresso on the set of what used to be a 19th-century lime kiln outside of Tuscany. “But then I saw her perform at 2 AM in an abandoned train depot. She wasn’t dancing. She was arguing with gravity. That was my Episode 16.” Behind the scenes 16- Moona- Laura Fiorentino-...
- Ingest & Backup – All RAW files copied to a RAID‑5 array (2 TB) and a secondary external SSD.
- Color Grading – DaVinci Resolve 18, using a custom LUT that deepened the indigo shadows and lifted the moon’s highlights.
- Stabilisation – Only the drone footage required a slight 2‑pixel stabiliser to smooth out wind‑induced jitter.
- Timelapse Assembly – Adobe Premiere Pro’s Speed/Duration tool combined the timelapse frames into a fluid 30‑second sequence.
- Hand‑Drawn Overlays – Using a Wacom tablet in Procreate, Laura traced subtle line‑art constellations that later animated via After Effects.
- Audio Mixing – Ambient forest sounds, the owl call, and a home‑recorded synth pad (played on a Moog Sub 37) blended in Audacity, with a final 3‑dB boost on low‑frequency rumble for “earthy” feel.