Kim Jung Gi Coloso ((new)) Online
"Kim Jung Gi Coloso"
I believe you're referring to the course—an online art tutorial series created by the legendary Korean artist Kim Jung Gi (김정기) in collaboration with Coloso , a Korean online education platform for creatives.
- The Language Barrier: While the course has official English subtitles, Kim spoke in rapid, conceptual Korean. Some nuance about "Ki" (energy) or "Yeo-baek" (negative space) can get lost if you aren't familiar with Eastern art philosophy.
- The "Imposter Syndrome" Problem: Watching Kim draw a battleship from imagination in 40 seconds can be demoralizing. Some students report feeling more inadequate after the course.
- No Digital Focus: Kim worked almost exclusively traditionally (ink on paper). If you want to learn digital painting or rendering in Photoshop, this course offers zero help. It is strictly about drafting and ink line art.
"I don't draw lines that I see. I draw lines that I have defined in my memory ten years ago." – Kim Jung Gi, Coloso Course kim jung gi coloso
Paper Rolls (Seamless Long Format)
: For his largest works, Kim Jung Gi often used large paper rolls, sometimes up to 5 meters in length. Professional-grade rolls from brands like Canson or Strathmore (300 series or higher) allow for continuous drawing without breaks. "Kim Jung Gi Coloso" I believe you're referring
. Known for his superhuman ability to draw complex, three-dimensional scenes entirely from memory without references, his curriculum focuses on building a "mental library" and mastering spatial perspective. Key Features of the Masterclass Memory Drawing Techniques The Language Barrier: While the course has official
“I don’t draw what I see. I draw what I know.” — Kim Jung Gi
The class focuses on Kim Jung Gi’s unique "box" method for perspective, which involves envisioning objects and anatomy within three-dimensional volumes to maintain spatial accuracy.
Since you're looking for a long article, I've structured this to cover his unique philosophy, the specific curriculum offered, and why his teaching style remains so influential even after his passing.
- The core feature of the course. He teaches how to observe a subject, look away, and draw it from memory using a "squinting" technique to lock the image into your brain before putting pen to paper.