Released in 1967, is the seventh studio album by jazz pianist McCoy Tyner
(6:32): A tranquil, minor-key ballad representing a "submission to God" and the universe. mccoy tyner the real mccoyjazzflacrogercc work
When we talk about the "McCoy Tyner work," we are usually talking about his right-hand gymnastics and his left-hand ostinatos. The Real McCoy offers a masterclass in this style. The Real McCoy Released in 1967, is the
The album was not an immediate commercial smash. But within five years, every young jazz pianist—from Chick Corea to Keith Jarrett to Herbie Hancock—had studied it obsessively. Tyner’s right-hand preference for pentatonic scales (e
In the mid-1960s, Tyner felt increasingly alienated by Coltrane’s shift toward chaotic, free jazz. was his response—a "pure jazz" session that returned to more structured, modal forms while retaining the explosive energy he pioneered with Coltrane. At the time of recording, Tyner was facing such financial hardship that he reportedly considered quitting music to drive a taxi. Personnel: An All-Star Quartet
Producer Alfred Lion described this as a "pure jazz session," featuring a legendary quartet at their peak: McCoy Tyner
The album isn't all fire and brimstone. "Contemplation" shows Tyner’s ability to work with space and silence. It is a slower, minor-key piece that feels ancient and modern simultaneously. It reminds us that Tyner’s "work" was not just about speed, but about spiritual depth.