For , the number refers to the layer count. Using a technique he calls kaze-nagashi (wind-flowing), Rikitake would apply oil paint, let it dry for 12 hours, then use a solvent to pull the pigment vertically downward—like rain on a windowpane. Layer 108 was the final "anti-layer." He did not add paint; he removed it.
Uses a soft-focus lens and warm color grading characteristic of high-end Japanese photo books from the early '90s. Portraits Of Jennie By Yasushi Rikitake.108
It is important not to confuse this work with the famous 1940 novella by Robert Nathan. Nathan's work is a classic supernatural romance about an artist who meets a girl who "slips through time". Rikitake’s work is entirely separate and belongs to the niche field of Japanese adult photography. Portraits Of Jennie By Yasushi Rikitake.rar - Facebook Title: A Captivating Collection - "Portraits Of Jennie
When you stand before , the first emotion is not admiration—it is vertigo. Layer 108 was the final "anti-layer
Portraits of 'Jennie' is a multi-volume photography collection by Yasushi Rikitake