On 3 Listening Sulakauri Best | Right

Right On! 3

The curriculum by Sulakauri Publishing is designed for B1 level English learners and includes comprehensive listening resources integrated into both the Student’s Book and Workbook. Available Listening Resources

To show you what to expect, here is a simulation of a typical Right On 3 listening task about "Shopping."

Who, What, Where, and Why

A feature article is more creative than a simple news report. Use this structure to organize your notes from the listening track: 1. Catchy Headline Use alliteration or a strong statement. Example: "Plastic Peril: The Battle for Our Oceans." 2. The "Lead" Paragraph Summarize the . Hook the reader in the first two sentences. 3. Body Paragraphs (The "Meat") right on 3 listening sulakauri

| Aspect | Details from Listening | |--------|------------------------| | Name | [Full name, e.g., Bakar Sulakauri / publishing house] | | Occupation / Role | [e.g., founder of Sulakauri Publishing] | | Main Achievement | [e.g., publishing Georgian children’s books] | | Interesting Fact | [e.g., established in 1990s, promoted national literature] |

Right on! 3 is an English language textbook series published by Sulakauri Publishing in Georgia. Designed for learners at the CEFR Level A2+ Right On

template for a proper report

Since I don’t have access to your specific audio track, I’ll provide you with a based on a typical "Right On 3" listening task. You can fill in the missing details from your listening.

But this time he was smiling.

• CEFR Alignment: The exercises generally target B1 (Threshold) to B2 (Vantage) levels. This means the audio materials move beyond simple identification (A-level tasks) toward understanding main ideas, specific details, and speaker attitude.
• National Exam Preparation: A critical "deep" aspect of this book’s listening section is its subtle alignment with the Georgian Unified National Exams. The task types (multiple choice, true/false, gap fill) mirror the exam format, providing students with low-stakes practice for high-stakes testing.

The afternoon sun slanted through the half-closed blinds of the studio, striping the mixing board in gold. Outside, Tbilisi hummed with its usual chaos — car horns, the distant rattle of the marshrutka vans, someone's radio bleeding bass through thin walls. But inside the booth, everything narrowed to the circle of light on the desk and the soft hiss of the headphones.