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Title: "Love in the City of Bengaluru"

Films like Bangarada Manushya and Kasturi Nivasa didn't focus on "dating." Instead, they focused on Samsara (family life). Romance was implied through a sideways glance, a shared umbrella, or a poetic Vachana . It was beautiful, but it was idealized. The woman was either a goddess (Devi) or a dutiful wife (Pativrata).

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Case Study: The "Love Mocktail" Universe